Studio & Workshops

Classes and Workshops

The Watercolor Portrait: Simplified

Class Dates: Fridays, June 6th – July 18th (No class July 4th)

Time: 9:00 AM – 12:00 PM 

Location: Xico Studio, 829 N 1st Ave Phoenix, AZ

Join Xico and artist Julian Miranda for a 6 week course diving into the foundations of watercolor portraiture. Learn how to create dynamic portraits and strengthen your artistic skill set with comprehensive instruction in anatomy, color theory, and watercolor application. Students will have the opportunity to paint live models and finish the class with a strong understanding of what makes expressive and lively portraits.

*Students supply their own materials

Cyanotype Explorations: Printmaking with Light and Found Objects

Class Dates: Saturday, June 7th 

Time: 10:00 AM – 4:00 PM 

Location: Xico Studio, 829 N 1st Ave Phoenix, AZ

Join Xico and artist Sarah Martiny for a full-day exploration of cyanotype printing. Using found materials and natural light, you’ll create beautiful one-of-a-kind prints while experimenting with various papers, application methods, and exposure times. This workshop is ideal for anyone looking to dive deeper into cyanotype techniques in a beginner-friendly setting.

*Materials are provided as part of registration fee.

Community Activity: Linocut Collage Workshop

Class Dates: June 6th, 2025

Time: 6:00 PM – 8:00PM

Location: Xico Studio, 829 N 1st Ave Phoenix, AZ

Free to Join! Celebrate First Friday with us in a hands-on community printmaking activity led by Artist in Residence Meli Nava! In this workshop, you’ll explore the art of linocut printmaking by designing your own block inspired by family symbols and personal history. We will conclude by bringing our pieces together to create a collaborative print collage

Whether you’re new to printmaking or a returning enthusiast, this session welcomes all skill levels.

We are currently developing our workshop calendar for spring 2025, check back soon or stay updated through our socials and newsletter!

Man holding up flower artwork next woman at Xico

Intaglio

Creating marks in a plate; ink pushed into the marks, raised areas wiped clean of ink, wet paper laid on top of plate and rolled through etching press.

Etching

A metal plate is coated with a ground, allowed to dry, and then an image is meticulously scratched into the coating to reveal the metal underneath; when exposed to an acid solution, the image is etched onto the plate.

Engraving

Using a burin tool to meticulously carve smooth, clean lines into a metal plate, resulting in sharp and highly precise imagery.

Aquatint

Achieves broad areas of shading by applying acid-resistant particles to certain areas of the plate, followed by etching those areas using an acid solution.

Relief

The process of carving away the negative areas from a matrix, applying ink onto the raised portions, placing dry paper on top, and then applying pressure, either manually or with a press, to transfer the image onto the paper.

Woodcut

The natural grain of the wood block plays a crucial role as it adds texture and nuance to the final printed image.

Linocut

Utilizes a linoleum block, known for its longer-lasting properties and environmentally friendly nature.

Planographic

Involves creating an image on a flat surface or plane to produce prints.

Lithography

A method that entails crafting an image on limestone using grease or oil, etching the stone with nitric acid to create ink-adhesive areas, and then using a wet sponge to selectively remove ink from unintended areas.

Monotype

Bridges the gap between planographic and drawing techniques, involving the application of inks to a plexiglass plate using various mark-making tools, solvents for textures, and stencils for creating more defined forms.